Essay about Persepolis Illustrations Analysis - 888 Words

Satrapi’s graphic memoir, Persepolis focuses hugely on the loss of innocence of Marjane, which she illustrates by using several techniques such as the sizes of figures and the contrast of shades, as well as the of details, or lack thereof she includes in her drawings. Marjane’s drawings are more than mere illustrations; they are drawn the way they are for a reason. Figure sizes throughout the book vary to show the importance or maturity of the characters. In the beginning of the memoir, Marjane is depicted as a small girl, considerably smaller than her parents and all other grown-ups that surround her. Though Marjane is very aware of her situation, and a lot smarter or conscious than other children her age, she is still childish and†¦show more content†¦In the beginning of the book Marjane is more often dressed in white, but as the memoir progresses, she begins to lose the white clothes, just as she losses her innocence. Her innocence is not only represented by the figure size, or color of clothing, the way she depicts violence in the beginning of the book is very different from what she imagines as the book advances. She is aware of the situation within her country, since her parents are fervent revolutionaries she hears stories and she listens to the news, so she knows a lot about the situation around her. However, her young, innocent mind, and her lack of experience distort and in a way censor the truth. The first panel in page 40 depicts the massacre of Black Friday. Marjane, being a child, doesn’t really know what a massacre looks like. She draws the corpses in neat rows, with no signs of blood or physical damage. We can also find another example in the first panel of page 52. Her parents have been talking about the death and dismemberment of a friend of theirs. Marjane, who has been listening to the entire conversation, pictures his death. The man is depicted as neatly as the people depi cted in the Black Friday Massacre. The limbs are separated from the body, which is hollow, with no blood or organs in sight. Though Marjane is not as innocent as she was in theShow MoreRelatedMarjane Satrapi s Persepolis Story1487 Words   |  6 PagesMarjane Satrapi’s Persepolis tells the story of her life as a young girl in Iran during the Islamic Revolution. Satrapi’s story is told through an autobiographical graphic novel which is revolutionary because such stories are often told through more common mediums such as Television interviews and text based novels; this difference helps to set Persepolis apart from other works about revolutionary Iran. The Persian people have been largely dehumanized by mass media in a post September 11th societyRead MoreA Literary Lens957 Words   |  4 Pagesthis book was the illustrations that helped to add joy and laughter to this great book.† (Petersen, 2016). This description is short, and doesn’t really exemplify wh at exactly the illustrator did to have myself react with joy and laughter. But, later in the seventh book, Persepolis, my description for the artistic lens was much for in depth and analytical. For example, I detailed, â€Å"Her [the author] use of the black, empty space to underline the sadness and worry that Persepolis felt when she discoveredRead MoreThe Complete Persepolis By Marjane Satrapi2268 Words   |  10 Pages Review of Literature While I will pull from other sources, the main focus of this paper will be The Complete Persepolis by Marjane Satrapi. Throughout this graphic novel, Satrapi tells her life story and what it was like growing up in Iran. In the opening illustrations, she describes her childhood and her transition from a secular school to one that was religious and separated by gender. At this time it had become law for a woman to wear the veil, or head scarf when in public. Iran transitionedRead MoreAnalysis Of The Book The Complete Persepolis 2283 Words   |  10 Pagesnearly every other form of freedom.† In The Complete Persepolis, it is clearly seen that when a standard is set for women’s attire, restrictions of other freedoms come along with it. Throughout the book, the author, Marjane Satrapi, recounts her life in Iran after the Islamic Revolution of 1979, and the difficulties she encountered. She struggled with restricted freedoms, strict religious rule, and a sense of statele ssness. In the opening illustrations, she describes her childhood and her transitionRead MoreRosalind Krauss - Photographys Discursive Spaces9350 Words   |  38 Pages The spatiality of the view, its insistent penetration, functions, then, as the sensory model for a more abstract system whose subject is also space. View and land survey are interdetermined and interrelated. What can be seen to emerge from this analysis, then, is a system of historically specific requirements that were satisfied by the view and in relation to which view formed a coherent discourse. That this discourse is disjunct from what aesthetic discourse intends by the term landscape is also